Smell All the Flowers...

One of the problems with photographing flowers is that it is so easy to get caught up in their sheer beauty through the viewfinder that it is easy to totally miss or ignore their other great attributes.

And one of these is the multitude of wonderful smells and fragrances you experience while "nose to blossom" when taking closeups like this one.

And it was this realization the other day that led me to re-think the old expression about "Taking time to smell the Roses".

In fact we should take time to smell all the flowers and experiences life presents us with.  Often it is easy to get caught up in one aspect of something and miss a lot of what life is just begging us to experience.

So the next time you start to focus in what you think is that single most important aspect of something take a step back... take a deep breath and enjoy the rest of what life has to offer!  :-)

Black and White...

Detail - Rusted Fence Post, Lebanon  NH

"Rusted Fence Post - Lebanon, NH"

Occasionally I try getting back to my roots in photography by setting the shooting menu on my cameras to "monochrome"... otherwise known as "black and white".  I like challenging myself to try and "see" in shades of grey again.  And I have to say that each time I'm not really happy with the results. Not because of a lack of vision on my part... but I think because of the technology.  It just doesn't seem to "be there".  The images - like this one - are always Ok but seem to lack the richness, depth and tonality you get when shooting with silver based film.
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When I first developed an interest in photography many years ago, black and white was the medium of choice for many reasons... but mostly because of the lower cost of film and processing.  And also because of the thrill of what passed for "instant gratification" back then.  By shooting black and white it was possible to see the results of a day spent with the camera relatively quickly.  At that time color film had to be shipped out for processing and it took days if not weeks to get back from the lab. But I could process my 35mm Tri-X film and make a few prints in my parent's basement within a matter of hours... which seemed remarkable at the time.

Needless to say photography has come a long way and I'm sure it will continue to evolve. Even as little as ten years ago many of us were still shooting film. And as someone who grew up in the business splashing around in photographic chemistry, I have to say I don't really miss those hours in the darkroom mixing Dektol and Rapid Fixer while listening to bad pop music on the radio.  But I do miss the sense of craftsmanship that was involved in making prints by my own hand and experiencing the magic of seeing an image spring to life from the surface of a blank piece of paper.

Due to it's very nature digital photography just doesn't allow us to experience the same sense of interaction and involvement in the process of creating a photograph.  It is not as hands-on.  And maybe that is why the finished images don't have the same aesthetic appeal and emotional impact on me when I look at them.  It is because they are not a part of me but rather any assembly of pixels interpreted by a computer instead of being the result of light passing through the shape of my own hand. 

Self Assignment...

Iris - Lebanon, NH

Every once in awhile I like to challenge myself.

Today's "self-assignment" was to find and photograph at least two visually interesting subjects within 50 feet of my home.

Further more... the goal was both shoot and post-process the photos within 30 minutes start to finish. 

The genesis of this challenge came from a conversation I was having with a friend the other day.  I had been trying to explain to him what it was like to work as a news photographer in the mid-19080's when you had to shoot an assignment, process your film, edit negatives, make prints and write captions under a deadline.

While the technology of producing and distributing photos over a network has changed wildly in the past 30 years... some things have not.  You still need an eye for composition and content.  You still need (some) technical skills and you need to be able to function effectively under a deadline.

This image was shot with a Samsung mobile device and processed using PhotoShopExpress.  While I'm not a huge fan of shooting with mobiles the results can be good properly handled... and since it was also raining during this challenge to myself... I didn't really want to expose my DSLR's to the wet weather.

"Umbrella 3"

"Umbrella 3"

Recently I spent a few minutes shooting a display of umbrellas in a local retail location.  And to be honest I was inspired to make these photos by the work of a very good friend of mine.

I was attracted to the different colors, patterns, textures and the mixed lighting present.

Situations like this offer endless opportunities to try shooting at different angles and focal lengths to create different compositions.  The mixed light sources (in this case daylight and industrial track lighting) can be used to enhance the colors in your photographs.

This is part of a series I did using an Android device and PhotoShopExpress.  I plan on returning with a DSLR to follow-up on my initial shooting of these colorful subjects.  

Stay tuned :-)

"Sea Grass" - Bunche Beach, FL

"Sea Grass" - Bunche Beach, FL

This image was shot early one evening as I was walking the beach in search of sunset photos... which weren't happening.

Turing my camera and attention inland and away from the ocean, I shortly came upon this composition.

What makes this photograph appealing to me is the sense of warmth, peacefulness and tranquility it conveys... which were the exact feelings I had while walking the beach that evening.

Over a year later I can still feel the gentle breezes off the water swirling around me and the warmth of the setting sun on my back.

A combination of compositional elements come together to make this image work.  Shooting somewhat tight on the grasses gives the photo an abstract and texture while the alternating strips of shadow and sun creates an almost 3 dimensional sense of depth.

Shot handheld with a Nikon D90 camera and Nikkor zoom lens... although I forget which one :-)

"Floating Leaf" - Centre County, PA

Floating Leaf - Centre County, PA

This is another one of my favorites from my "Black & White Period".  At the time I was heavily involved in trying to teach myself the "Zone System" (a system of determining exposure and film development) practiced and perfected by Ansel Adams. 

On late-fall a walk through the woods looking for subjects that would lend themselves well to experimenting with these techniques... I saw this leaf floating on the surface of a slow moving stream. 

I was attracted to the various textures and the range of tones... from a few near white grains of sand here and there to the deep blacks along the corners... all forming a frame for the remains of this decaying leaf.

Shot with a Nikon F2 with 55/3.5 Micro-Nikkor on Tri-x film.

"Mirror Image in Sand" - Starfish, St. Augustine, FL

Another image from early in my career as a photographer and a perfect example of what I've always said... "Some of your best photos will always be the result of complete accidents, dumb luck... or both".

Mirror Image in Sand - St. Augustine, FL.

This was shot made during a family vacation to St. Augustine, Florida.  I was about 18 at the time and our family had been staying at the Kon Tiki campground outside St. Augustine.

We'd been collecting shells and other treasures from the sea at the beach one day and set them all aside on the picnic table to dry out.

The next morning as we were packing up for the return trip home to Pennsylvania... I picked up this starfish and was delightfully surprised to see this image magically materialize right before my eyes.

I immediately grabbed my camera (which I think was a Yashica TL Electro-X the time) from the car and started shooting away.  It had a relatively decent quality Soligor zoom lens on it with a macro capability that I didn't use much due to the challenge of holding it steady enough to get good results.  But In this case I got lucky and was able to hand hold it well enough to capture this image on Kodak Plus-X film.  

As an aside I think this also might have been the first time I really had to make a photo under the pressure of a "deadline".  As I recall the family car with pop-up camper attached was pulling out of the campsite as I was shooting :-)

"Abandoned Farmhouse" - Pine Grove Mills, PA

Abandoned Farmhouse - Pine Grove Mills, PA 

I've always been really fond of this photograph... shot early on in my career as a photographer.

I used to drive past this abandoned farmhouse quite frequently on my way to work and was always attracted to it because of the (apparently) freshly painted white posts which stood out in stark contrast to the rest of the house.

Since I was "studying" the zone system at the time (a method of determining exposure and processing developed and perfected by Ansel Adams) this scene made for the perfect challenge to my rudimentary skills with camera, film and darkroom technique.  My goal was to capture the "glow" of the posts, the details in the shadows of each window pane and bring to life on paper what I saw in my mind.

Looking at this image 35 years later I feel like I succeeded :-)

Photographed with a Graflex 4x5 camera using Kodak Tri-x film processed in D-76 and printed on Agfa Brovira glossy surface paper.

"Sunset Stroll" - Bunche Beach, Fort Myers, FL

Sunset Stroll - Bunche Beach, Fort Myers, FL

This shot was made a couple of years ago during a casual evening of shooting at the beach.  It’s an example of what can happen with a little luck.

I had made about a dozen shots of this fairly dramatic sunset… trying to catch different patterns in ripples of water to play off the composition and shape of the clouds above.  All were good, but not great shots.  Something was missing but I wasn’t quite sure what.

However as soon as this young girl came into the left of my frame and continued walking down the beach… I knew that the missing element was the “human” element.  She added a sense of scale, motion and tranquility to the photo.

I shot 3 frames of her walking away from me down the beach… with this being the best.  The playful position of her arms, foot just catching the splash of a passing ripple and her reflection in the water make this photograph complete.

Shot with a Nikon D90 and 18-105 Nikkor lens.  

Follow the Leader...

"Follow the Leader" - Sanibel Island, FL

This is one of my favorite images from a trip to Sanibel Island off Florida's gulf coast a couple years ago.

It was comical to watch this little bird follow around the gull... imitating it's every move.

It was like watching a kids game of "Simon Say's" or "Follow the Leader".  That, or the little bird was thinking "I want to be just like you when I grow up".

Either way I spent about five minutes photographing this "bird ballet" with a Nikon D90 and 300mm lens before the gull finally broke off and flew away.  

This photograph incorporates different elements of composition including the use of a shallow depth of field, 3/4 lighting and a low angle of view to bring you down to eye level with the gull.