Black and White...

Detail - Rusted Fence Post, Lebanon  NH

"Rusted Fence Post - Lebanon, NH"

Occasionally I try getting back to my roots in photography by setting the shooting menu on my cameras to "monochrome"... otherwise known as "black and white".  I like challenging myself to try and "see" in shades of grey again.  And I have to say that each time I'm not really happy with the results. Not because of a lack of vision on my part... but I think because of the technology.  It just doesn't seem to "be there".  The images - like this one - are always Ok but seem to lack the richness, depth and tonality you get when shooting with silver based film.
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When I first developed an interest in photography many years ago, black and white was the medium of choice for many reasons... but mostly because of the lower cost of film and processing.  And also because of the thrill of what passed for "instant gratification" back then.  By shooting black and white it was possible to see the results of a day spent with the camera relatively quickly.  At that time color film had to be shipped out for processing and it took days if not weeks to get back from the lab. But I could process my 35mm Tri-X film and make a few prints in my parent's basement within a matter of hours... which seemed remarkable at the time.

Needless to say photography has come a long way and I'm sure it will continue to evolve. Even as little as ten years ago many of us were still shooting film. And as someone who grew up in the business splashing around in photographic chemistry, I have to say I don't really miss those hours in the darkroom mixing Dektol and Rapid Fixer while listening to bad pop music on the radio.  But I do miss the sense of craftsmanship that was involved in making prints by my own hand and experiencing the magic of seeing an image spring to life from the surface of a blank piece of paper.

Due to it's very nature digital photography just doesn't allow us to experience the same sense of interaction and involvement in the process of creating a photograph.  It is not as hands-on.  And maybe that is why the finished images don't have the same aesthetic appeal and emotional impact on me when I look at them.  It is because they are not a part of me but rather any assembly of pixels interpreted by a computer instead of being the result of light passing through the shape of my own hand.