Summer Sunset...

"Summer Sunset" - Mascoma River, Enfield NH

For the past few weeks I have been challenging myself to try and "see" in black and white again after many years of shooting almost exclusively in color.

And so far I am pretty happy with the results.

 I know the resulting images have made me think more about what I see and how I view the world around me... and I hope they do the same for those who occasionally view and enjoy my work.

"Umbrella 2"

Umbrella 2

"Umbrella 2"

Since it's a rainy day today... seems like there's no better time to post another photograph from my recent "umbrella series".  And since I believe in giving credit where credit is due - I have to admit that these photos were inspired by a very good friend of mine and excellent photographer in her own right. :-)

Shot with a Nikon E8700 and processed in Nikon Capture NX2

"Umbrella 3"

"Umbrella 3"

Recently I spent a few minutes shooting a display of umbrellas in a local retail location.  And to be honest I was inspired to make these photos by the work of a very good friend of mine.

I was attracted to the different colors, patterns, textures and the mixed lighting present.

Situations like this offer endless opportunities to try shooting at different angles and focal lengths to create different compositions.  The mixed light sources (in this case daylight and industrial track lighting) can be used to enhance the colors in your photographs.

This is part of a series I did using an Android device and PhotoShopExpress.  I plan on returning with a DSLR to follow-up on my initial shooting of these colorful subjects.  

Stay tuned :-)

"Barnacle Encrusted Shell" - Sanibel Island, FL

Barnacle Encrusted Shell - Sanibel Island, FL

This photo was shot on an early morning walk along the "City Beach" on Sanibel Island.

I had forgotten to pick-up my cameras before driving from Fort Myers to the beach and only discovered I didn't have them when I got there.

"Midly" upset and armed with only an Android device I decided to try and make the best with what I had.

Although not of nearly the technical quality I would have gotten with my DSLR's... I still think this is a decent shot and an example of what can be done by anyone with the technology commonly available today.

"Colorful Plantings" - Old Main, Penn State University

Plantings - Old Main, Penn State University

This photo was taken on a slightly overcast day while photographing on the main campus of Penn State University.

I had already spent a fair amount of time shooting one of the most iconic landmarks at Penn State, "Old Main" which is the primary administration building on campus.

During a bit of a break I noticed these colorful, leafy plantings behind me.  They looked like they had promise, but something was lacking at the time so I went back to shooting the building.

Satisfied I had done what I could to catch some new angles on an already over-photographed subject, I turned around and went to pick-up my camera bag.  Just then the sun broke through a high overcast and created a mild back-lighting on these leaves.  That was all they needed to break into the vibrant and unusual colors you see in the photo here.

I used a Nikon D90 DSLR with a 180/2.8 ED lens close to wide-open to make this image.  This created the both shallow depth of field (which draws your eye to the main subject) as well as the vibrant and well saturated colors.  The back-lighting effect adds to the photo by creating a 3-dimensional feeling and is what really caused the colors to "pop".

And no, this was not PhotoShopped :-) 

"In the Weeds"

"In the Weeds"

This image is a good illustration of the interesting effects you can get shooting in mixed lighting conditions.

Shot late in the evening along a rural roadside it combines elements of backlighting and mixed color balances. 

Backlighting is a technique that can be used very effectively to highlight the main subject in a photo from a darker background.

The rich greens in the foreground are a result of the warm (colored) evening sun backlighting the weeds while the cooler blues are a result of having no direct sunlight hitting the background, which is largely in shadow.

This image is basically "straight from the camera" with minimal post processing in Nikon CaptureNX.