"Umbrella 2"

Umbrella 2

"Umbrella 2"

Since it's a rainy day today... seems like there's no better time to post another photograph from my recent "umbrella series".  And since I believe in giving credit where credit is due - I have to admit that these photos were inspired by a very good friend of mine and excellent photographer in her own right. :-)

Shot with a Nikon E8700 and processed in Nikon Capture NX2

"Sea Grass" - Bunche Beach, FL

"Sea Grass" - Bunche Beach, FL

This image was shot early one evening as I was walking the beach in search of sunset photos... which weren't happening.

Turing my camera and attention inland and away from the ocean, I shortly came upon this composition.

What makes this photograph appealing to me is the sense of warmth, peacefulness and tranquility it conveys... which were the exact feelings I had while walking the beach that evening.

Over a year later I can still feel the gentle breezes off the water swirling around me and the warmth of the setting sun on my back.

A combination of compositional elements come together to make this image work.  Shooting somewhat tight on the grasses gives the photo an abstract and texture while the alternating strips of shadow and sun creates an almost 3 dimensional sense of depth.

Shot handheld with a Nikon D90 camera and Nikkor zoom lens... although I forget which one :-)

"Floating Leaf" - Centre County, PA

Floating Leaf - Centre County, PA

This is another one of my favorites from my "Black & White Period".  At the time I was heavily involved in trying to teach myself the "Zone System" (a system of determining exposure and film development) practiced and perfected by Ansel Adams. 

On late-fall a walk through the woods looking for subjects that would lend themselves well to experimenting with these techniques... I saw this leaf floating on the surface of a slow moving stream. 

I was attracted to the various textures and the range of tones... from a few near white grains of sand here and there to the deep blacks along the corners... all forming a frame for the remains of this decaying leaf.

Shot with a Nikon F2 with 55/3.5 Micro-Nikkor on Tri-x film.

"Sunset Stroll" - Bunche Beach, Fort Myers, FL

Sunset Stroll - Bunche Beach, Fort Myers, FL

This shot was made a couple of years ago during a casual evening of shooting at the beach.  It’s an example of what can happen with a little luck.

I had made about a dozen shots of this fairly dramatic sunset… trying to catch different patterns in ripples of water to play off the composition and shape of the clouds above.  All were good, but not great shots.  Something was missing but I wasn’t quite sure what.

However as soon as this young girl came into the left of my frame and continued walking down the beach… I knew that the missing element was the “human” element.  She added a sense of scale, motion and tranquility to the photo.

I shot 3 frames of her walking away from me down the beach… with this being the best.  The playful position of her arms, foot just catching the splash of a passing ripple and her reflection in the water make this photograph complete.

Shot with a Nikon D90 and 18-105 Nikkor lens.  

Capital - Old Main, Penn State University

Capital - Old Main, Penn State University

This photo was shot one day while working on the main campus of Penn State University.

I had done a series of photographs a few days earlier featuring some of the interesting architectural details found on many of the older buildings on campus.

Unfortunately that day the lighting hadn't been right to make this photograph and in fact it took me two more days of trying before I was able to shoot under the hazy overcast skies necessary to bring out the textures and details in this photograph of a capital on the columns of the main administration building know as Old Main.

Shot with a Nikon D90 and 400mm lens.

Follow the Leader...

"Follow the Leader" - Sanibel Island, FL

This is one of my favorite images from a trip to Sanibel Island off Florida's gulf coast a couple years ago.

It was comical to watch this little bird follow around the gull... imitating it's every move.

It was like watching a kids game of "Simon Say's" or "Follow the Leader".  That, or the little bird was thinking "I want to be just like you when I grow up".

Either way I spent about five minutes photographing this "bird ballet" with a Nikon D90 and 300mm lens before the gull finally broke off and flew away.  

This photograph incorporates different elements of composition including the use of a shallow depth of field, 3/4 lighting and a low angle of view to bring you down to eye level with the gull.

Mt. Moosilauke - Aplenglow

M

Mt. Moosilauke - Warren, NH

t. Moosilauke - Alpenglow.

This photo of the last rays of sunshine falling on the western slopes of Mt. Moosilauke was shot on a cold and windy fall evening from the summit of Mt. Cardigan in Orange, NH.

I had hiked to the summit to witness a relatively rare astronomical event.  Sunset and moon rise were both going to happen simultaneously (or at least within 5 minutes of each other) that evening and I thought it might make for some interesting photographs.

My first thought about how to illustrate this event had been to try for a panoramic that included both sunset and moon rise in one photograph, but the brisk and windy conditions on the summit of Cardigan crushed that plan relatively quickly.  

Changing up my approach, I set up 2 cameras, one facing east to shoot the moon rising over Newfound Lake and the other facing west toward Mt. Ascutney in VT for my sunset photos.  Both cameras were mounted on "mini-pods" close to the ground to try and minimize any wind induced camera shake during what would be long exposures.

As the moon come up and the sun sank below the horizon, I managed to shoot the equivalent of about 5 "rolls of film" while laying on my stomach and trying to time my shots between 25 mph gusts of wind.

This photograph of Moosilauke (roughly 27 off in the distance), is one of my favorites. 

Shot with a Nikon 8700 at 1/8 second.

Moss & Pine Needles on Forest Floor

Moss & Pine Needles on Forest Floor - Cardigan Mountain, 

This photo is one of a series I did a couple years ago exploring the colors, patterns and textures of the forest floor.

Shoot while hiking on Mt. Cardigan in Orange, NH it features elements of all the above.

My style of photography tends to focus on use of long lenses (a result of my years shooting sports) or looking for the patterns, colors and textures that occur in Nature and "zooming-in" on them to produce a different and visually interesting composition.

Shot using a Nikon Coolpix 8700 camera using close-up mode and a very slight amount of user controlled fill flash.

One of the biggest challenges in making this photo was all the black flies that were trying to eat me alive while I stood still long enough to grab the photo.

Door Knob, Enfield NH.

Old Door Knob - Enfield, NH

A few years ago while traveling I was attracted to the texture of the wood and the layers of dust on this (apparently) unused door.  It seemed like the perfect place to spend a few minutes exploring with my camera.

I spent about 10 minutes shooting various details of the door knob and wooden panels and ultimately decided I liked this composition the best.

Initially I thought this shot would stand on it's own without any post-processing but it just wasn't happening. The lighting was to flat and the range of color throughout the original image was to limited.  I tried a black & white conversion but that still didn't make the image "pop" and catch your eye the way I wanted it to...so it sat unseen in my files for the next 5 years.

Enter the age of "apps"... which didn't even exist when this photo was first shot.  Yesterday using PhotoshopExpress I experimented with increasing the color saturation throughout the image and pumped up the contrast a bit resulting in the final image above.

Although I don't feel apps should be used as a crutch in the making of good photos... they can be a useful tool.  What's possible in photography is changing almost daily and it would be foolish to ignore that.  Applying new technologies to older photos can breathe new life into images that didn't quite "make it" before on their own. 

Shot with Nikon D90 and 105 Micro-Nikkor lens.  Post processed in PhotoshopExpress mobile.

"In the Weeds"

"In the Weeds"

This image is a good illustration of the interesting effects you can get shooting in mixed lighting conditions.

Shot late in the evening along a rural roadside it combines elements of backlighting and mixed color balances. 

Backlighting is a technique that can be used very effectively to highlight the main subject in a photo from a darker background.

The rich greens in the foreground are a result of the warm (colored) evening sun backlighting the weeds while the cooler blues are a result of having no direct sunlight hitting the background, which is largely in shadow.

This image is basically "straight from the camera" with minimal post processing in Nikon CaptureNX.

Hummingbird

Hummingbird

Hummingbird

Good luck sometimes plays a significant part in making good photos.

Despite using professional equipment and having a high level of technical skills, every (honest) photographer will tell you that some of their best photographs are the result of just "Getting lucky".

That was the case in this photo.   This was actually shot near dusk and during a light drizzle.  My expectations were not high while shooting but the birds were putting on a good show while feeding so I figured, "Why not?"  Like a few other posts this photo is a good illustration of shooting tight to maintain maximum quality while still allowing some cropping options.  The lens used was a mid-range telephoto shot wide open (out of necessity in low light) and to create the shallow depth-of-field which directs you eye to the main subject.

Shot using a Nikon DX format DSLR with a 300/2.8 ED lens wide open.  On board fill flash used. 

Duck - State College, PA

Duck - State College, PA

After many years this photo is still one of my favorites. 

This is an example of shooting tight to maximize image quality.  The challenge when shooting this tight is to maintain a "useful" composition which still gives perspective editors and art directors some options on how to use your photo.

This photo also illustrates the use of a wide aperture and shallow depth-of-field to focus attention on the main subject.

Shoot with Nikon F3 and 400/3.5ED Nikkor lens... probably close to wide-open.  Original on Fujichrome 100